{"id":4660,"date":"2021-12-18T21:15:53","date_gmt":"2021-12-18T13:15:53","guid":{"rendered":"https:\/\/tvaa.tw\/?page_id=4660"},"modified":"2021-12-28T15:02:09","modified_gmt":"2021-12-28T07:02:09","slug":"1992%e5%b9%b4%e5%8c%97%e7%b8%a3%e7%be%8e%e5%b1%95","status":"publish","type":"page","link":"https:\/\/tvaa.tw\/en\/post-war-exhibition-history-in-taiwan\/%e8%87%ba%e5%8c%97%e7%b8%a3%e7%be%8e%e5%b1%95%ef%bc%9a%e7%92%b0%e5%a2%83%e8%97%9d%e8%a1%93%ef%bc%881994%ef%bc%89\/1992%e5%b9%b4%e5%8c%97%e7%b8%a3%e7%be%8e%e5%b1%95\/","title":{"rendered":"1992\u5e74\u5317\u7e23\u7f8e\u5c55"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2gswh0-64f435b8222818b923b009417452cdcc\">\n.flex_column.av-2gswh0-64f435b8222818b923b009417452cdcc{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-2gswh0-64f435b8222818b923b009417452cdcc av_one_full  avia-builder-el-0  avia-builder-el-no-sibling  first flex_column_div av-zero-column-padding '   ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_heading-9bb4894d031253ecc3e720cb6dc02661\">\n#top .av-special-heading.av-av_heading-9bb4894d031253ecc3e720cb6dc02661{\npadding-bottom:10px;\n}\n<\/style>\n<div  class='av-special-heading av-av_heading-9bb4894d031253ecc3e720cb6dc02661 av-special-heading-h2  avia-builder-el-1  el_before_av_textblock  avia-builder-el-first  '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >1992\u5e74\u5317\u7e23\u7f8e\u5c55<\/h2><div class='special-heading-border'><div class='special-heading-inner-border'><\/div><\/div><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><ul>\n<li><strong>\u201cEnvironment and Art\u201d Series<\/strong><\/li>\n<\/ul>\n<p>In 1992, \u201cTaipei County Artists Group Exhibition\u201d called for submissions under the theme of \u201cenvironment and art,\u201d evoking issues of environmental degradation, combining the natural environment and culture of Taipei County (now New Taipei City), and local awareness with mixed media works.<\/p>\n<p>The \u201cEnvironment and Art\u201d Series includes 7 exhibitions: \u201cGroup Exhibition of Contemporary Art: 16 Ways to Handle Garbage,\u201d \u201cWind in Quadrant: Taiwan Environment Art Exhibition,\u201d \u201cGroup Exhibition of Contemporary Art: Meditations on Humanity, A Diagnosis of Taiwan\u2019s Five Senses,\u201d \u201cYeh Chu-sheng Solo Exhibition\u2014New Relationships Between Humanity and Nature,\u201d \u201cTaipei County Artists Group Exhibition,\u201d \u201cLu Tien-yen (now Lu I-chung) Solo Exhibition\u2014Return to Nature,\u201d \u201cChen Kai-Huang and Huang Wen-Hao Duo Solo Exhibition.\u201d<\/p>\n<p>\u201cGroup Exhibition of Contemporary Art: 16 Ways to Handle Garbage\u201d<\/p>\n<p>In July of 1992, with \u201cgarbage\u201d as the proposition of the exhibition, 16 participating artists including Tsong Pu, Yeh Chu-sheng, Lu Ming-te, Chen Kai-Huang, Chen Hui-Chiao, Tang Huang-Chen, and Huang Wen-Hao and others used 16 works of art to express 16 ways of exploring garbage and the environment.<\/p>\n<p>\u201cWind in Quadrant: Taiwan Environment Art Exhibition\u201d<\/p>\n<p>In August of 1992, participating artists used their work to probe, sample and explore Taiwan society, nature and humanities.<\/p>\n<p>\u201cGroup Exhibition of Contemporary Art: Meditations on Humanity, A Diagnosis of Taiwan\u2019s Five Senses\u201d<\/p>\n<p>From September to October of 1992, underlined as a \u201cnon-exhibition\u201d with considerable text and diagrams, paintings displayed side by side, the exhibition tried to ruminate on Taiwan\u2019s history and the void of individual history through reflections on the social environment.<\/p>\n<p>\u201cYeh Chu-sheng Solo Exhibition\u2014New Relationships Between Humanity and Nature\u201d<\/p>\n<p>In November of 1992, Yeh exhibited the \u201cOrder and Non-order\u201d series, symbolizing the boundlessness of matter in the universe with order and non-order, under the composition of various materials and thick paint, abstraction was presented in multi-layered textures, reflecting the artist\u2019s dialectic and study on the environment and civilization.<\/p>\n<p>Lu Tien-yen (now Lu I-chung) Solo Exhibition\u2014Return to Nature<\/p>\n<p>In late November of 1992, Lu\u2019s autobiographical work combined imagery and documents. The artist examined self-history and development through painting and story telling, emphasizing respect for our inherent natures and a new relationship with multiplicity.<\/p>\n<p>\u201cChen Kai-Huang and Huang Wen-Hao Duo Solo Exhibition\u201d<\/p>\n<p>Huang Wen-Hao would exhibit the installation <em>Breath<\/em>, expressing inner anxiety and chaos with rhythm produced by an object, while Chen Kai-Huang would release the performance <em>What else do we have about art?<\/em>, conveying his thinking of the environment and space, to form a critical awareness of society.<\/p>\n<ul>\n<li><strong>The 1st \u201cGhost Festival Zhongyuan Pudu: Religious Arts Festival\u201d<\/strong><\/li>\n<\/ul>\n<p>In 1992, the Taipei County Cultural Center held the first edition of the \u201cHungry Ghost Zhongyuan Pudu Festival: Religious Arts Festival,\u201d organized and planned by Chen Wen-Chien and Girl\u2019s Shrine Folk Culture Studio. Its location is set in the riverside town of Tamsui River, with the main venue in Xinzhang Dizang Temple in Xinzhuang and Zhongxiao Bridge in Sanchong. An extensive field survey was conducted before the event, continuing traditions of releasing water lanterns and religious processions of Zhongyuan Pudu\u2014<em>pudu<\/em>, as in to transmute and absolve the suffering of the deceased through rituals\u2014while also conducting water lantern study camps before release, inviting under-resourced groups, including underage prostitutes, orphans, people with disabilities, to participate in production, and dance and theater performances that county citizens could freely participate in.<\/p>\n<p>With various activities, the meaning of a religious art festival was anchored in its first edition: this was a cross-disciplinary festival involving artists, social workers, and temples. Originating from ritual and offering, under diversified activities and performances, \u201cPudu\u201d was expanded in interpretation as an expansive art event with the affirmation of social movements, enabling religion to shift beyond the scope and significance of folk activities by integrating with contemporary art.<\/p>\n<\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":13,"featured_media":0,"parent":4617,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages\/4660"}],"collection":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/comments?post=4660"}],"version-history":[{"count":3,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages\/4660\/revisions"}],"predecessor-version":[{"id":4774,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages\/4660\/revisions\/4774"}],"up":[{"embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages\/4617"}],"wp:attachment":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/media?parent=4660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}