{"id":4674,"date":"2021-12-18T21:40:11","date_gmt":"2021-12-18T13:40:11","guid":{"rendered":"https:\/\/tvaa.tw\/1994%e5%b9%b4%e5%8c%97%e7%b8%a3%e7%be%8e%e5%b1%95\/"},"modified":"2021-12-28T15:14:26","modified_gmt":"2021-12-28T07:14:26","slug":"1994%e5%b9%b4%e5%8c%97%e7%b8%a3%e7%be%8e%e5%b1%95","status":"publish","type":"page","link":"https:\/\/tvaa.tw\/en\/post-war-exhibition-history-in-taiwan\/%e8%87%ba%e5%8c%97%e7%b8%a3%e7%be%8e%e5%b1%95%ef%bc%9a%e7%92%b0%e5%a2%83%e8%97%9d%e8%a1%93%ef%bc%881994%ef%bc%89\/1994%e5%b9%b4%e5%8c%97%e7%b8%a3%e7%be%8e%e5%b1%95\/","title":{"rendered":"1994\u5e74\u5317\u7e23\u7f8e\u5c55"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-3ayxpa-58a8acef01efd73e76fbe97c164a4f0a\">\n.flex_column.av-3ayxpa-58a8acef01efd73e76fbe97c164a4f0a{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-3ayxpa-58a8acef01efd73e76fbe97c164a4f0a av_one_full  avia-builder-el-0  avia-builder-el-no-sibling  first flex_column_div av-zero-column-padding '   ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_heading-05edf940b13c116ee349fd9ed4da127d\">\n#top .av-special-heading.av-av_heading-05edf940b13c116ee349fd9ed4da127d{\npadding-bottom:10px;\n}\n<\/style>\n<div  class='av-special-heading av-av_heading-05edf940b13c116ee349fd9ed4da127d av-special-heading-h2  avia-builder-el-1  el_before_av_textblock  avia-builder-el-first  '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >1994\u5e74\u5317\u7e23\u7f8e\u5c55<\/h2><div class='special-heading-border'><div class='special-heading-inner-border'><\/div><\/div><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><ul>\n<li><strong>The 6th Taipei County Art Exhibition<\/strong><\/li>\n<\/ul>\n<p>No longer using flat and dimensional works as categories, submissions were divided into \u201cgeneral\u201d and \u201cspecial.\u201d The latter is an attempt to use a juror \u201cresponsibility\u201d system, with one person in charge of evaluation, interpretation and exhibition planning.<\/p>\n<p>\u201cGeneral submissions\u201d were curated by Lien Te-cheng, with awards granted to include Wu Chung-wei, Lin Cheng-sheng, Lu Mi, Tu Wei, and Wang Te-Yu, and \u201cspecial submissions\u201d reviewed by Ni Tsai-Chin. Tamsui riverside continued to serve as the exhibition site, enabling the exhibition space to move from indoors to outdoors, as an artistic practice of its Taiwanized <em>bentu<\/em> discourse.<\/p>\n<p>The 6th Taipei County Art Exhibition \u201cspecial submissions\u201d became the forefront of the local government-sponsored outdoor exhibition in Taiwan art history, leading the way for exhibitions \u201cEarth, City, and Symphony: Taiwan Installation Art\u201d in Chiayi City, \u201cThe Heart of History\u201d in Lukang, Changhua County, to the performative practices of artists\u2019 occupation of Huashan Winery in the future.<\/p>\n<ul>\n<li><strong>The 3rd \u201cGhost Festival Zhongyuan Pudu: Religious Arts Festival\u201d<\/strong><\/li>\n<\/ul>\n<p>The 3rd \u201cGhost Festival Zhongyuan Pudu: Religious Arts Festival\u201d shifted its focus to contemporary art practices, including: Wu Jungtze monumental sculpture <em>Do good, stop evil<\/em>, Hou Chun-Ming\u2019s draft billboard <em>Ten Courts of Hell<\/em>, Chen Wen-Tzong designed lotus water lanterns, which were completed on-site by disability groups using old newspapers. There was also the \u201cZhongyuan Pudu Film Festival\u201d at the Film Archives, and theatrical performances <em>City Hell<\/em> and<em>Butterfly Crossing<\/em>.<\/p>\n<ul>\n<li><strong>\u201cTaipei Broken Life Festival\u201d<\/strong><\/li>\n<\/ul>\n<p>Wu Chung-wei held the \u201cTaipei Broken Life Festival\u201d without permit at the Riverside Park under the Yongfu Bridge in Yonghe, an outdoor gathering combining installation art, experimental film, theater, music and camping.<\/p>\n<\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":13,"featured_media":0,"parent":4617,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages\/4674"}],"collection":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/comments?post=4674"}],"version-history":[{"count":3,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages\/4674\/revisions"}],"predecessor-version":[{"id":4776,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages\/4674\/revisions\/4776"}],"up":[{"embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/pages\/4617"}],"wp:attachment":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/media?parent=4674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}