{"id":10774,"date":"2024-01-02T18:18:34","date_gmt":"2024-01-02T10:18:34","guid":{"rendered":"https:\/\/tvaa.tw\/portfolio-item\/%e5%bb%96%e7%b9%bc%e6%98%a5%ef%bc%8c%e3%80%8a%e8%bf%8e%e6%98%a5%e9%96%80%e7%9a%84%e9%bb%83%e6%98%8f%e3%80%8b\/"},"modified":"2024-05-21T00:50:01","modified_gmt":"2024-05-20T16:50:01","slug":"%e5%bb%96%e7%b9%bc%e6%98%a5%ef%bc%8c%e3%80%8a%e8%bf%8e%e6%98%a5%e9%96%80%e7%9a%84%e9%bb%83%e6%98%8f%e3%80%8b","status":"publish","type":"portfolio","link":"https:\/\/tvaa.tw\/en\/portfolio-item\/%e5%bb%96%e7%b9%bc%e6%98%a5%ef%bc%8c%e3%80%8a%e8%bf%8e%e6%98%a5%e9%96%80%e7%9a%84%e9%bb%83%e6%98%8f%e3%80%8b\/","title":{"rendered":"\u5ed6\u7e7c\u6625\uff0c\u300a\u8fce\u6625\u9580\u7684\u9ec3\u660f\u300b"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1jc8e3-ee7e345a86f8bd2fa8910eba074eac30\">\n.avia-section.av-1jc8e3-ee7e345a86f8bd2fa8910eba074eac30{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/tvaa.tw\/wp-content\/uploads\/2020\/12\/1994\u5357\u53f0\u7063\u65b0\u98a8\u683c\u96d9\u5e74\u5c55_\u756b\u518a_\u5c01\u9762-1.jpg);\nbackground-position:50% 50%;\nbackground-attachment:scroll;\n}\n.avia-section.av-1jc8e3-ee7e345a86f8bd2fa8910eba074eac30 .av-section-color-overlay{\nopacity:0.4;\nbackground-color:#000000;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-1jc8e3-ee7e345a86f8bd2fa8910eba074eac30 main_color avia-section-default avia-no-border-styling  avia-builder-el-0  el_before_av_one_fifth  avia-builder-el-first  avia-full-stretch avia-bg-style-scroll av-section-color-overlay-active  av-minimum-height av-minimum-height-25  container_wrap sidebar_right'  data-section-bg-repeat='stretch' data-av_minimum_height_pc='25'><div class='av-section-color-overlay-wrap'><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-10774'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-emgbnv-035531ab926fd08211d5c97e4891e92d\">\n.flex_column.av-emgbnv-035531ab926fd08211d5c97e4891e92d{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-emgbnv-035531ab926fd08211d5c97e4891e92d av_one_fifth  avia-builder-el-1  el_before_av_three_fifth  avia-builder-el-first  first flex_column_div av-zero-column-padding '   ><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-13obgr-6720e88fc3670ef2778918b0ff920a8b\">\n.flex_column.av-13obgr-6720e88fc3670ef2778918b0ff920a8b{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-13obgr-6720e88fc3670ef2778918b0ff920a8b av_three_fifth  avia-builder-el-3  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding '   ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-8vu9ln-caaaf3582b23db7f90170fd0ef69e1f0\">\n#top .av-special-heading.av-8vu9ln-caaaf3582b23db7f90170fd0ef69e1f0{\npadding-bottom:10px;\ncolor:#ffffff;\n}\n.av-special-heading.av-8vu9ln-caaaf3582b23db7f90170fd0ef69e1f0 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-8vu9ln-caaaf3582b23db7f90170fd0ef69e1f0 .av-subheading{\nfont-size:19px;\n}\n<\/style>\n<div  class='av-special-heading av-8vu9ln-caaaf3582b23db7f90170fd0ef69e1f0 av-special-heading-h1 custom-color-heading blockquote modern-quote modern-centered  avia-builder-el-4  avia-builder-el-no-sibling  '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >\u81fa\u5357\u7f8e\u8853\u53f2<\/h1><div class='av_custom_color av-subheading av-subheading_below '><p>Tainan Art History<\/p>\n<\/div><div class='special-heading-border'><div class='special-heading-inner-border'><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-739t1n-f73b9da45e4c807c2bc7270afff379f5\">\n.flex_column.av-739t1n-f73b9da45e4c807c2bc7270afff379f5{\nborder-radius:0px 0px 0px 0px;\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-739t1n-f73b9da45e4c807c2bc7270afff379f5 av_one_fifth  avia-builder-el-5  el_after_av_three_fifth  avia-builder-el-last  flex_column_div av-zero-column-padding '   ><\/div>\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><\/div><div id='after_section_1'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-10774'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column av-5vfnrv-bf17a237c8ea33825120e6a2807ee77d av_one_fifth  avia-builder-el-6  el_after_av_section  el_before_av_three_fifth  avia-builder-el-first  first flex_column_div '   ><\/div>\n<div class='flex_column av-4a3txn-b91b696ae2e80d8b1d4bf4013a271a31 av_three_fifth  avia-builder-el-7  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div '   ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lqw73y93-8b1f4bc64b7abbd7e1f2682e43787a89\">\n.avia-image-container.av-lqw73y93-8b1f4bc64b7abbd7e1f2682e43787a89 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-lqw73y93-8b1f4bc64b7abbd7e1f2682e43787a89 av-styling- avia-align-center  avia-builder-el-8  el_before_av_textblock  avia-builder-el-first  '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img class='wp-image-9594 avia-img-lazy-loading-not-9594 avia_image' src=\"https:\/\/tvaa.tw\/wp-content\/uploads\/2024\/01\/\u5ed6\u7e7c\u6625\uff0c\u300a\u8fce\u6625\u9580\u7684\u9ec3\u660f\u300b\uff0c1928\uff0c\u7b2c\u4e8c\u56de\u81fa\u5c55\u5716\u9304\u3002.jpg\" alt='' title='\u5ed6\u7e7c\u6625\uff0c\u300a\u8fce\u6625\u9580\u7684\u9ec3\u660f\u300b\uff0c1928\uff0c\u7b2c\u4e8c\u56de\u81fa\u5c55\u5716\u9304\u3002'  height=\"700\" width=\"870\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/tvaa.tw\/wp-content\/uploads\/2024\/01\/\u5ed6\u7e7c\u6625\uff0c\u300a\u8fce\u6625\u9580\u7684\u9ec3\u660f\u300b\uff0c1928\uff0c\u7b2c\u4e8c\u56de\u81fa\u5c55\u5716\u9304\u3002.jpg 870w, https:\/\/tvaa.tw\/wp-content\/uploads\/2024\/01\/\u5ed6\u7e7c\u6625\uff0c\u300a\u8fce\u6625\u9580\u7684\u9ec3\u660f\u300b\uff0c1928\uff0c\u7b2c\u4e8c\u56de\u81fa\u5c55\u5716\u9304\u3002-249x200.jpg 249w, https:\/\/tvaa.tw\/wp-content\/uploads\/2024\/01\/\u5ed6\u7e7c\u6625\uff0c\u300a\u8fce\u6625\u9580\u7684\u9ec3\u660f\u300b\uff0c1928\uff0c\u7b2c\u4e8c\u56de\u81fa\u5c55\u5716\u9304\u3002-768x618.jpg 768w, https:\/\/tvaa.tw\/wp-content\/uploads\/2024\/01\/\u5ed6\u7e7c\u6625\uff0c\u300a\u8fce\u6625\u9580\u7684\u9ec3\u660f\u300b\uff0c1928\uff0c\u7b2c\u4e8c\u56de\u81fa\u5c55\u5716\u9304\u3002-705x567.jpg 705w\" sizes=\"(max-width: 870px) 100vw, 870px\" \/><\/div><\/div><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p style=\"text-align: center;\">Liao Chi-Chun, Dusk at Yingchun Gate, from the catalogue of the 2nd Taiten (Taiwan Art Exhibition), 1928.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lqw738q1-d503d242b40a9d6db605216654edbea9\">\n#top .hr.hr-invisible.av-lqw738q1-d503d242b40a9d6db605216654edbea9{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-lqw738q1-d503d242b40a9d6db605216654edbea9 hr-invisible  avia-builder-el-10  el_after_av_textblock  el_before_av_textblock  '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>This work by Liao Chi-Chun (1902-1976) was selected into the 2nd Taiten (1928) with the status of review exemption. Because Liao was awarded Special Selection with his Still Life (\u975c\u7269), so he was granted this honor. Liao was accepted into and studied painting at the Normal Department, Tokyo Fine Arts School in 1924. He also organized the Red Sun Painting Society (\u8d64\u967d\u7f8e\u8853\u5354\u6703) with Chen Cheng-Po (\u9673\u6f84\u6ce2) and the Red Island Society (\u8d64\u5cf6\u793e) with Chen Chih-Chi (\u9673\u690d\u68cb), actively engaging in artistic creation and joining art exhibitions. After he graduated in 1927, he returned to Taiwan and began teaching at the Tainan Presbyterian Senior High School (\u9577\u8001\u4e2d\u5b78; now Chang Jung Senior High School). The subject of this painting is the Yingchun Gate (now the Great East Gate of Tainan City) that was near the school. The entire painting has the East Gate as the center, and displays a sense of perspective. The curved lines in the painting are reminiscent of the semi-abstract Fauvist style. The large tree on the right is rendered the focal point probably to stabilize the composition. Back then, the East Gate was a crucial gateway. The painting delineates people\u2019s everyday activity\u2014the locals were riding bicycles, walking, or on a horse carriage, demonstrating a simple and plain air.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-7gc7f-e1e1e5512a595a96fa48610a2d9e2d14\">\n#top .hr.hr-invisible.av-7gc7f-e1e1e5512a595a96fa48610a2d9e2d14{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-7gc7f-e1e1e5512a595a96fa48610a2d9e2d14 hr-invisible  avia-builder-el-12  el_after_av_textblock  el_before_av_textblock  '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>References:<br \/>\nLee, Shu-Pei. \u201cA Study of Landscapes of Tainan in the Catalogues of the Taiten and the Futen during the Period of Japanese Rule.\u201d The 2022 NCAF Visual Arts Grant for Study and Research \u2013 2nd Phase, 2023.<br \/>\nTBMC Database. \u201cTaiwan Art Exhibition. A View from the Exhibition. What These Eyes Have Seen.\u201d Taiwan Nichi Nichi Shinpo (Taiwan Daily News), 1928 (page 4).<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-3a876428eececa9d35452247ddb053af\">\n#top .hr.hr-invisible.av-av_hr-3a876428eececa9d35452247ddb053af{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-av_hr-3a876428eececa9d35452247ddb053af hr-invisible  avia-builder-el-14  el_after_av_textblock  el_before_av_textblock  '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p><strong><span style=\"color: #000000;\">Liao Chi-Chun<\/span><\/strong><br \/>\nLiao Chi-Chun (1902-1976) was born in Fengyuan, Taichung. In 1923, he was accepted into the Department of Normal Education at Tokyo Fine Arts School (now Tokyo University of the Arts), where he was mentored by Tanabe Itaru (\u7530\u908a\u81f3, 1887-1968) and received solid foundational training in sketch drawing. At that time, Fauvism and Cubism had already become increasingly well-known due to the advocacy of private art groups, such as the \u201cNika Association\u201d (\u4e8c\u79d1\u6703) and \u201cSanka\u201d (\u4e09\u79d1), through which Liao learned about these avant-garde art trends. In 1925, he co-founded the \u201cChi-Yang (Red Sun) Western-style Painting Society\u201d (\u8d64\u967d\u6d0b\u756b\u6703) with Chen Cheng-Po (\u9673\u6f84\u6ce2, 1895-1947) and Yen Sui-Long (\u984f\u6c34\u9f8d, 1903-1997), which later merged with the \u201cChi-Hsing (Seven Stars) Painting Group\u201d (\u4e03\u661f\u756b\u58c7) in northern Taiwan and became the \u201cChi-Dao (Red Island) Society\u201d (\u8d64\u5cf6\u793e). After graduating, Liao settled down and began teaching in Tainan from 1927 to 1936. He was deeply influenced by Tainan\u2019s social milieu and ambiance, and eventually became the artist selected for the Taiten and the Futen with the most landscapes featuring Tainan\u2019s scenery. During Umehara Ryuzaburo\u2019s (\u6885\u539f\u9f8d\u4e09\u90ce, 1888-1986) several visits to Taiwan after 1933 for tourism and serving as a juror, Liao was the one who received Umehara and accompanied him on painting trips to Tainan, during which he created a few works featuring the Confucius Temple with similar composition. In 1934, Liao again co-founded the \u201cTai-Yang Art Association\u201d (\u81fa\u967d\u7f8e\u8853\u5354\u6703) with Chen Cheng-Po and Yen Shui-Long. Later, Liao moved to Taipei in 1947 to teach at Taiwan Provincial Teachers College (now National Taiwan Normal University). It was during this period that he established the Yunhe Studio (\u96f2\u548c\u756b\u5ba4) on Yunhe Street near his residence. The founding members of the \u201cFifth Moon Art Group\u201d (\u4e94\u6708\u756b\u6703), which was founded in 1957 with Liao\u2019s encouragement, had studied painting with Liao at this very art studio.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_hr-3a876428eececa9d35452247ddb053af\">\n#top .hr.hr-invisible.av-av_hr-3a876428eececa9d35452247ddb053af{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-av_hr-3a876428eececa9d35452247ddb053af hr-invisible  avia-builder-el-16  el_after_av_textblock  el_before_av_textblock  '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Reference<br \/>\nLin, Mun-Lee (ed.). The Everlasting Bloom: Rediscovering Taiwanese Modern Art. Taipei City: Museum of National Taipei University of Education, 2021.<\/p>\n<\/div><\/section><\/p><\/div><div class='flex_column av-284al7-10682a807c7b205dcf2a50fcdc7cfb85 av_one_fifth  avia-builder-el-18  el_after_av_three_fifth  avia-builder-el-last  flex_column_div '   ><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":9594,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"portfolio_entries":[203],"_links":{"self":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/portfolio\/10774"}],"collection":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/comments?post=10774"}],"version-history":[{"count":3,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/portfolio\/10774\/revisions"}],"predecessor-version":[{"id":11387,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/portfolio\/10774\/revisions\/11387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/media\/9594"}],"wp:attachment":[{"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/media?parent=10774"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/tags?post=10774"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/tvaa.tw\/en\/wp-json\/wp\/v2\/portfolio_entries?post=10774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}