臺南美術史

圖說：廖繼春，《イチバ》，第三回臺灣美術展覽會圖錄
Caption: Liao Chi-Chun, Market, from the catalogue of the 3rd Taiten (Taiwan Art Exhibition).

此為廖繼春（1902-1976）入選1929年第三回臺展西洋畫部之畫作。描繪臺南東市場舊景，中間的樹將構圖一分為二，具有別於傳統作畫方式之現代性特色；遠景則描繪市場攤販與密集人口，右方為欲前往市場之居民，整幅畫作線條彎曲、筆觸厚重，表現生動，傾向野獸派之風。日治時期，臺南廳在元會境（岳帝廟街）成立東市場，為臺南第二座現代化公設市場。廖繼春1925年與陳澄波（1895-1947）等人成立「赤陽洋畫會」並舉辦展覽，其引進了西方的印象派、野獸派、抽象主義等畫風，多以外光派表現地方色彩。戰後，鼓勵學生成立「五月畫會」，對於臺灣美術界有諸多貢獻。（彭暐宸）

This painting by Liao Chi-Chun (1902-1976) was selected into Yoga (Western-style painting) Division of the 3rd Taiten (Taiwan Art Exhibition). It depicts a scene of the old East Market in Tainan. The tree at the center divides the composition into two, giving the painting modern characteristics that sets it apart from the traditional painting style. In the background, the artist delineates market vendors and a dense crowd. On the right are locals going into the market. The entire painting is constituted of curvy lines and heavy brushstrokes, showing a lively air and a tendency towards Fauvism. During the period of Japanese rule, the Tainan Prefectural Government founded the East Market at Yuan Hui Jing (元會境; otherwise known as Yue-Di Temple Street [岳帝廟街]), which was Tainan’s second modernized public market. In 1925, Liao Chi-Chun, Chen Cheng-Po (陳澄波; 1895-1947) founded the Red Sun Western-style Painting Society (赤陽洋畫會; otherwise translated as “Red Sun Association”) and organized exhibitions of the society. They introduced different Western painting movements, such as Impressionism, Fauvism, Abstractionism, and mainly portrayed the local color with plein-air expression. After the war, Liao encouraged their students to establish the Fifth Moon Art Group (五月畫會), and has been considered a great contributor to the Taiwanese art world.

參考資料：
石浩吉、劉家蓉，〈廖繼春：半具象半抽象描繪台灣鄉土情感〉，非池中藝術網，2017，https://artemperor.tw/focus/1819（檢閱於2023.08.15）。
作者不詳，〈第三回臺灣美術展覽會　入選作品發表さる　東洋畫二十九點、西洋畫七十六點　目覺ましい本島人側の進出〉，《臺灣日日新報》夕刊2版（1929年11月13日）。
李書旆，〈日治時期臺府展圖錄中的臺南風景畫研究〉，《111年度第2期國藝會視覺藝術類補助—調查與研究》，2023。
劉錡豫，〈廖繼春・市場〉，《名單之後臺府展史料庫》，https://taifuten.com/oblect/市場/#squelch-taas-toggle-shortcode-content-2（檢閱於2023.08.15）。

References:
Shih, Rocky, and Liu Chia-Jung. “Liao Chi-Chun: Delineation of Taiwanese Native Sentiments in a Semi-figurative and Semi-abstract Style.” Art Emperor, 2017. https://artemperor.tw/focus/1819 (Viewed on 2023.8.15).
Unknown author. “The 3rd Taiten Announces Selected Works. Twenty-nine Japanese-style Paintings and Seventy-six Western-style Paintings. The Locals Have Shown Much Progress.” Taiwan Daily News, evening edition, section 2 (1929.11.13).
Lee, Shu-Pei. “A Study of Landscapes of Tainan in the Catalogues of the Taiten and the Futen during the Period of Japanese Rule.” The 2022 NCAF Visual Arts Grant for Study and Research – 2nd Phase, 2023.
Liu, Chi-Yu. “Liao Chi-Chun．Market.” Missing Pieces: Taifuten Historical Archives. https://taifuten.com/oblect/市場/#squelch-taas-toggle-shortcode-content-2 (Viewed on 2023.8.15).